Saturday, 3 January 2015

S.L. Ellis - Lane Changes @slellis1



Title: Lane Changes
Author: S.L. Ellis
Date of Publication: December 20th 2014


About LANE CHANGES
CASSIE CRUISE wants her life back as a kick-ass P. I.

Trouble is, she has zero credibility since bungling a case on reality TV. After a public tantrum, she slinks off to bury her head in the sandy beaches of Southwest Florida.

Just as she starts over as the owner of The Big Prick tattoo shop, a body is discovered in the trunk of her burning car. Cassie’s aware there are those who’d get in line for their turn to torch her car. But murder?

You don’t have to like her, but you damn well better respect her. And get out of her way—this is one case she intends to solve, with or without an audience.



Buy Links:


Review by Julie Sweetheart Obsessive Pimpette

I received this book as an ARC for an honest review. This author is new to me. I started this book and didn't put it down until the end. The story line really draws you in. Very well written. Cassie is a wonderful character. No spoilers from me, I want everyone to read and enjoy.

Excerpts:


CHAPTER 1




Bad things happened in threes. That was the thought that ran through my mind—right after holy shit.
This was number three.
A scorched breeze moved through the trio of Queen Palms situated in the side yard. I watched their fronds whisper and nod as if remarking on the scene in the street beneath them. An intermittent glow from the fire truck’s lights and the clunk and clang of firefighters putting away equipment underlined the quietness.
Just a few people continued to hang around and gawk. I searched the gawkers for familiar faces, wanting Vince, my fiancé, to appear, or if not him, then Janice, my friend and neighbor, would do.
No such luck. Instead, the only recognizable face was a neighbor, Sammy Porter and, when he walked up, he aimed a flashlight over and around the car. I watched with an anger I thought I had left back on the decaying streets of Detroit.
I’d moved here because I thought I could safely hide in this neighborhood of retirees, trimmed palm trees, screened-in swimming pools, and manicured St. Augustine grass. I’d done my homework, but it seemed pointless now. People were supposed to be safe here of all places. Wrong and wrong again. Apparently, it didn’t matter how aware you were, or where you lived, violence could creep up on you anytime and anywhere.
Sammy bent down near the trunk. “Hey, it’s still on fire back here, still got a fire here.” With the help of his flashlight, I saw a meandering spiral of black smoke escaping between the cracks of the trunk lid.
A sudden anxiety raced through my veins and, as if dipped in cement, heaviness weighed down my legs and arms. I wanted Sammy to go home and mind his own business. In fact, everyone should leave. It was my car someone had torched, my business, my loss.
“Get away from my car!” I yelled.
Sammy ignored me, but my yelling did get a firefighter’s attention. He grabbed a pry bar, elbowed Sammy aside, and popped open the trunk.
Sammy swallowed and then looked over at me. “Oh, my.”
The firefighters bent to get a closer look and, lured by the looks of horror on their faces, I went to the car.
Bile rose in my throat. Inside the trunk was a charred and still-smoldering body.
Oh my God.
The nose was completely gone and overall there wasn’t much flesh remaining on the face.
Oh. God.
Sucking in my breath, I turned away from the face, only to catch a view of the relatively undamaged organs behind the ribs and the incinerated flesh of the chest. Dizziness hit and I grabbed the outside edge of the blackened trunk to keep from falling face first into the charred body.
“Back away from the car.”
Turning toward the voice, I felt vindicated, thinking he was speaking to nosy Sammy, but no one else was near the car. Just me, bending over the trunk of a car—my car, as I had so recently and loudly reminded all—ogling, with no outward signs of repulsion at a barbequed human corpse. I shoved down the trunk hood, straightened up, and took a step back.



It began as a typical interrogation.
“Your full name, please?”
“Cassandra Leah Cruise. You can call me Cassie.”
“Would you go over what happened tonight, Ms. Cruise?”
I knew this was the part where they were supposed to get a feel for whether I was guilty or innocent based on my behavior during questioning. Also, they would be aware of where I looked as they question me. My sister, Rachel—Sergeant Rachel Cruise—had told me all about interrogations before she was killed in the line of duty eighteen months ago.
“I don’t know what happened,” I said.
Looking at the paint-covered cement block walls of the interview room, I thought they were probably cool to the touch, and I wondered how odd it would seem if I stood and laid my forehead against the wall to soothe the ache radiating from behind my eyes. I decided on somewhere between odd and extremely odd. Looking away from the block wall, I gave my attention to the detectives in the room.
They both wore button-down shirts and khaki slacks, but that’s where the likeness ended. I zeroed in on the older detective. He was close to my forty-nine years and handsome in a rough kind of way. The tiredness of his eyes, the wrinkles in his shirt, and his old-style slicked back hair reminded me of the Detroit Homicide Bureau detectives I knew from a previous career. He caught me looking and returned my stare. Suddenly, I felt both homesick and needy and I shivered with another emotion I didn’t want to put a name to.
Running my hand through my purposely-shaggy auburn hair, I looked at the younger of the two. He appeared to be in his late twenties or early thirties. His slacks had a nice crease. He was well groomed, clean-shaven. He even had a style to his military-short hair.
“What’s your name?” I asked the young detective.
He scrunched his face and cleared his throat before answering. “Stephan. It’s Detective Lieutenant Craig Stephan,” he said.
I shot him a smile. “I’m Cassie.”
Stephan ignored the smile. “You have a charred body in the trunk of your car, and you don’t know what happened?”
“I don’t know how a body ended up in the trunk of my car.” I looked to the right. Per Rachel, when a person is remembering, they tend to look to the right. That’s because the right side of the brain is the memory area. If they look to the left, they’re lying. Or did I have it backward?
“It’s your car, isn’t it?” Detective Stephan asked, interrupting my thoughts.
“It is my car, but it’s not my body. I mean, I don’t know who the body is or how it got in the trunk.”
“We think you know,” Stephen insisted.
“I’ve told you I don’t know,” I said, again looking to the right.
The older detective put out his hand. “Detective Brick Winslow, County Sheriff’s Office.”
He shook my hand as a man should shake a woman’s hand. Warm and firm.
“For real? Your name is Brick?” I asked.
“You have to know my parents to understand,” he said.
I nodded. “I only know what I saw.”
“Okay. Tell us what you saw,” Detective Winslow said after releasing my hand.
“I was outside watching the firefighters with a few of the neighbors who were still hanging around.”
North Harbor’s Detective Stephan grimaced and rubbed his hand over the short, bristly hair on his head. “What’s that got to do with the body?”
Winslow held his hand up in Detective Stephan’s direction. “Just let her talk,” he said and then turned to me.
I again saw a tired, work worn, big city detective. Someone who seemed as out of place as I felt in this small Florida town. And I also saw a person who would likely understand parts of me that not many others could.
“Go ahead, Ms. Cruise.”
I nodded my appreciation to Detective Winslow before continuing, “So I decided I’d had enough and yelled, ‘Get away from my car!’”
“Having someone near your car bothered you?” Stephan asked.
“Yes.”
“And?” he said.
“One of the firefighters popped open the trunk.” I folded my hands on the table in front of me and tried to find a way to describe a horribly burned body without having actually to see it in my mind’s eye.
Detective Stephan slumped down in his chair, letting his arms hang slackly alongside. “Ms. Cruise, come on, just tell us what happened.”
What a freaking whiner, I thought before responding. “Look, I’m trying, but I want you to understand this first because I think I know how it looked to others. It took me a few seconds to catch on to what I was seeing, and when it registered, I instinctively slammed the trunk. I wasn’t trying to hide anything.”
“The body…”
I took a deep gulp of air and looked longingly at the cement wall. “That body, what I saw, I’m not so sure I’ll ever stop seeing it.” Keeping my eyes fixed on the wall, I described in detail the charred corpse.
They were both quiet for a few seconds, but eventually they worked into the confrontation part of the interrogation. That was where they made accusatory statements regarding the suspect’s involvement and tried to raise the stress level.
“Come on. You know more than you’re saying. In fact, I personally think you skipped an important piece of the story,” Detective Stephan said.
“What piece? I didn’t skip anything,” I said.
“What about how and why you killed the person found in your trunk? How about that part of the story?” he asked.
“I’d like you to think about that. Why would anyone kill a person, put the body into the trunk of their car, and then light it on fire on their own street, in their own neighborhood? Bring all that attention to the body they’re supposedly trying to hide? Does that really make sense to you?” I asked.
“It’d make sense to a certain washed-up P.I. who made a fool of themselves on T.V. I mean maybe that washed up P.I. wanted to bring some attention back to themselves and—”
I cut him off with a sugary voice and fake smile. “You’ve just made it abundantly clear you’re a fucking moron.” The last thing I wanted to think about or hear about was the television show debacle.
“Why did you park the car on the street?” Detective Winslow asked, diverting the moron from saying anything in return.
“I fell asleep watching a movie and didn’t move it into my garage,” I said. This question raised my stress level, and I couldn’t stop myself from looking to the right three or four times in a row.
“Are you feeling okay?” Detective Winslow asked.
I nodded, filled my lungs with stale air, and let it out while trying to rid my mind of illogical feelings of guilt. So much for Rachel’s stupid interrogation tidbits.
Detective Winslow stared at me for a few seconds. “Okay, so normally you park in the garage? This time, just by coincidence you left it on the street.”
“Yes, that’s what happened.”
Winslow looked down at his pad of paper. “Tell me about the vehicle.”
“Like I said, it was my sister’s. It’s a 1997 Mercedes Benz 500SL Roadster, in great condition. I mean it was in great condition. I don’t know what else to tell you.”
“Okay. Go over again why you parked your car on the street and not in your garage.”
“Again?”
He nodded.
“Laziness, I guess.”
“That it?” he asked.
“Okay. No, that’s not it. Not all anyway. I mean, I had to pee.” I was suddenly embarrassed over the fact that I was embarrassed to talk about a normal body function.
“What the hell?” Detective Stephan said.
Turning toward Detective Winslow, I explained. “I gulped down a huge amount of iced tea while working at the shop and left in a cranky hurry. I ran some errands, and once I turned onto my street, I felt an overwhelming urgency. So I parked the car on the street, hopped around while trying to concentrate enough to get the bags of landscape rock I’d bought at Home Depot out of the trunk. I gave up halfway through and ran inside, barely making it to the bathroom in time. As I said earlier, I then grabbed an old movie from my collection and popped it in the player. Dead Ringer starring Bette Davis.”
“Who?” Detective Stephen asked.
Ignoring him, I said to Detective Winslow, “It’s what I do to relax. Anyway, about half way through I fell asleep on the couch. Not the fault of the movie, mind you. I was exhausted from the day. I never went out to move the car into the garage. I forgot about moving the car.”
Rachel would understand, wouldn’t she?
“No idea why someone would do this to your vehicle?”
“Nope, can’t think of one.”
Big. Fat. Lie. Probably many people would have stood in line for their turn to torch my car. I was not the world’s most careful driver, but more to the point I was not what you’d call a people person. I couldn’t play the games required to enjoy popularity. I didn’t like fluff. I didn’t like false emotions. I didn’t know how to change my so-called snotty, sarcastic ways. Therefore, people didn’t really like me. Most times I was okay with it.
“No idea who the dead person is?”
“No idea.”
Rachel’s description of the next step in an interrogation didn’t hold up either. Supposedly, it was something called theme development. They made up a story about why the suspect did the crime, hoping he would start filling in the missing spots, give reasons of his own, or blame the victim. Instead, it seemed both of the Detectives floundered and became stuck. They never got to the point where they were supposed to speak in soothing voices in hopes of lulling the suspect into a sense of false security, thus allowing them to confess. Eventually, I tired and asked to leave and, surprisingly, they let me go.
Detective Winslow asked if I wanted to call someone for a ride home. I said no, I could get myself home, even though I desperately wanted to call Vince. It was called biting off your nose to spite your face. I walked the mile home in the dark and the ninety-four degree heat and humidity as a personalized form of self-flagellation.
Inside the house, I tripped over my purse and key ring lying in the entryway, picked them up, tossed them on the dining table, and then phoned Vince. After allowing him the privilege of soothing me, I gained his promise to come over and comfort me.
I looked out my window at the now quiet neighborhood and felt a tenseness building between my shoulder blades. Turning away from the window, I picked up a magazine from a nearby pile and flung it across the room. And another. And another. Not stopping until I hit a framed painting on the far wall, knocking it to the floor with a crash.
Why? Who was the poor victim? Who did thisWhy my car?
Rubbing the tears off my face, I returned to the window and watched as a dark sedan, lights off, crawled towards my house, almost coming to a stop in front of the new neighbor Lane’s house. The driver—from my window just a dark faceless shape—turned in my direction and then sped up, popped on the lights, and went on down the street out of the neighborhood.
Could be nothing, just a forgetful driver. The streetlights were in good repair and spaced evenly enough along the street. But now, everyone and everything came under suspicion. It was weird how something was inconsequential one day and then important and suspicious the next.
Damn, I’ll never have a car like that again.
As on almost any other day, I then heard the voice of my long-dead sister. “Uh-huh, tell me about it,” she said.
My failure to protect her now crispy and blackened Mercedes-Benz convertible overcame me. Another failure. Another public failure. I grabbed the partial pack of cigarettes I’d thrown in the trashcan under the kitchen sink earlier and lit one up with shaking hands.
This was a murder. Someone placed a body in my trunk, torched my car, and walked away as if the body was never a person, as if they hadn’t ever meant anything to anyone.
No one should walk away without paying for this.
One, two, three. Bad things always happened in threes.



Q/A with S.L. Ellis

How did you come up with the idea for this story? When we moved to Florida, we stayed for a time in a subdivision full of retirees.  The neighbor across the way, however, was in her 30’s, blond, slim, and attractive. She just didn’t fit, which got me thinking about why she would move to a neighborhood of older people. Was she hiding from something or someone?  And, well, you get the picture…

Where do you find your inspiration?  I am inspired to write when I read. The better the book, the more I’m inspired and eager to write.

Is there anything you find particularly challenging in your writing? I am easily distracted. Any shiny thing will get me going into another direction and I have to dig deep to find the will power to keep going and finish the story before beginning another.

What are your current projects?  I am working on the next in the Cassie Cruise, Private Investigator series, and I’m 30,000 words into a historical (late 1880’s – early 1900’s) novel with a strong, female protagonist. She has visions of gloom and doom and, as you might imagine, isn’t the most popular person in the village when her visions come true.

Is there a message in your novel that you want readers to grasp?  Just that people aren’t always what they seem to be.  They aren’t always what they present to the world.

Does music play any type of role in your writing? Music is an important part of my writing. I like to remind myself how few words make up the lyrics to most of the songs that I love. They tell a story and convey emotion in under 200 words. I strive to keep my writing tight while still telling the story.

Are experiences based on someone you know, or events in your life?  Experiences are things (conversations, emotions, adventures, work) you’ve participated in and felt internally.

What books have influenced your life most? I loved and learned so much from a handful of biographies found in school libraries, but beyond those, any book written by Catherine Cookson, Victoria Holt, Phyllis Whitney, and Mary Stewart began my love of reading genre fiction. 

Are there any new authors that have grabbed your interest? It’s best to say “newly discovered authors” because my TBR pile/list is huge and an author may have been published for years before I get around to reading them.  Authors who’ve recently caught my interest and have become an obsession are Gillian Flynn, Elizabeth Hand, Ariana Franklin, Gil Adamson, and William Gay.

Can you share a little of your current work with us?

Do you have anything specific that you want to say to your readers?  I welcome all reviews.  How else will I learn and grow as a writer if I don’t listen to my readers?  I say all, but there is the one I’m not looking forward to reading.  I recently gave a memoir writer (who I’ll not name), an honest two star review and she wrote a response comment blaming it on a “tussle” we had in a forum.  I’m not looking forward to her “revenge” review only because I won’t allow myself to respond to it.  I have so many clever and snarky things to say to her, but won’t give her any more of my time and attention.

How can readers discover more about you and your work?  I have an author page on Facebook (facebook.com/slelliscassiecruise) and my website is www.cassiecruise.com.  The blog posts on the website are written in Cassie Cruise’s voice, but I write the book reviews that you’ll see on that site.

Do you have a special time to write? How is your day structured writing-wise? I write wherever and whenever I get a chance.  Sometimes it’s only a sentence or two, so my progress on most projects is at a snail’s pace. 

Why did you choose to write [genre] stories?  Genre stories are typically about characters and their actions, reactions, thoughts and behaviors.  That’s what interests me and that’s what I write.

What is for you the perfect book hero?  A flawed, tough-minded, person who’ll always stand on their own, but isn’t afraid to show their loyalty to their loved ones.

When you start a book, do you already have the whole story in your head or is it built progressively? I’m not a plotter.  I have key points written, but everything else occurs organically during the writing.

When and why did you begin writing?  In 1996, I began my attempts at writing as a way to understand everything I was feeling when a family member was convicted of a very serious crime.  The story was a failure as far as the writing, but I did come to terms with my feelings regarding the conviction.

When did you first consider yourself a writer? I needed (and still need) validation, so I didn’t really believe in my writing until I won a contest for a short story and it was published in an anthology.

List three books you have recently read and would recommend.  
1. Two Guys Detective Agency, Stephanie Bond       
2.  Burial Rites, Hannah Kent             
3. The Impossible Wish, Christine Nolfi

Tell us something that people would be surprised you know how to do.  Most people would be surprised to know I was afraid of driving an automobile and avoided getting a license for a long time, but purchased and taught myself to drive a motorcycle in a matter of days.
                                                                                                                  
Will you write more about these characters? Lane Changes is the first in the Cassie Cruise, Private Investigator series. My hope is to write about Cassie, Janice, RJ, and Brick for a long time.

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About S.L. Ellis


S.L. Ellis came from a small town in Michigan, and after a few decades of winter she was ready for a fresh start. A move to Florida and a few days on the beach improved her disposition a hundred-fold, and it was here that writing became more than a thought. Classes were taken, workshops worked, and a few books written. 

Ellis's short story "A Brush With Death" was published in Vol. 12 DARK TALES, a UK magazine and reviewed by: Vince A. Liaguno, Dark Scribe Magazine, Anthology Reviews: "A Brush with Death is a solid, at times poignant, chiller in which a dying woman--who knows death well after a lifetime of obsession--makes a deal with the Grim Reaper. Ellis's keen observations on aging and death are spot-on." Her short story "If the Shoe Fits" was accepted for publication in HARDLUCK STORIES for its final issue. She is a member of Sisters in Crime and ITW.









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